Facial Lighting Test
I worked on some lighting test for The Doorway today. We canceled this Saturdays shoot because of a little flu I picked up on Wednesday, and the shoot is rescheduled for next Sunday. These tests were originally for the previously scheduled shoot, and we were aiming at a 1pm shoot time, but that’s OK; now I have more time for additional tests leading into next Sunday, scheduled for a similar time.
The purpose of the test was to confirm what I expected from the lighting at that time of day, i.e., given it’s a clear day, there will be harsh and stark shadows. I also wanted to use the camera and lens set for production, (a quick technical reference) a small Sony trv900 camcorder and a 50mm Nikon lens mounted with a Red Rock Micro M2 lens adapter. Following are a selection of shots to demonstrate the process of acquisition and the intensity, direction, and feel of the light.
First, I set-up the camera on a tripod and simply used myself as the subject. As initially pictured, I was listening to music on my ipod, and in this image you will notice the shallow depth of field (DOF); DOF is the range of area in an image that is clear. It’s what makes the background blurry and brings out the face in portraits. The first image shows before I’m in DOF, and the second image displays when I’m in the DOF:


There is a softness to the images above too. This is partly due to the old lens I’m using, the small image size of standard definition video, and the fact there is no one behind camera to confirm focus. In addition, this was done on the fly without measurements from the lens or footmarks to confirm distance, and the softness will be through out all these images.
This next image gives a good idea of how strong the sun light is. This is because the sun is close to its higher point of day. The sun light is passing through the earths atmosphere in a more perpendicular fashion compared to earlier or later times of the day; this means it has less atmosphere to pass through, and it makes the light more intense. Look at the dark and sharp shadows cast from my glasses and hair:

You will see that this contrast translates into an intensity in the piece, emphasizing a dramatic or direct expression. Jordan, played by Jay Hitchings, will not be wearing glasses, so I removed my glasses to showcase the face itself in the following images:



Notice the intinsity accentuated in the depth of my brow; not only due to my prominent frontal skulk, but because of the strong light cast down upon the face. This next picture is a variation of the last one above that puts the lower cheek bone in additional shadow:

I confirmed what I expected and wanted for The Doorway’s street scenes, set for Antioch California, and that is stark and intense facial lighting for Jordan’s current challenges. I may do additional location tests this Sunday, depending on how my recovery goes.
A Nice Letter
I received a letter of recommendation from Fredda Cassidy, one of my lead instructors at Las Positas College (LPC). Fredda introduced me to the Visual Communications (VCOM) department at LPC. I was completely inspired and produced and learned a lot through her program. The letter is located on my letters of recommendation page through the about section of this site; here is a link directly to the letter, an inspiring letter. I will use this inspiration to push through some late night tasks for tonight.
Protected: Fredda Cassidy
Doorway Shoot Delayed
I was hit up with a little sickness starting Wednesday night. I think this was a combination of the long 16 hour work day in addition to an intense workout at the gym. The fever subsided in the morning today, and my soar throat is nearly cleared, possibly due to the loads of vitamin-C and zinc I’ve taken. Most importantly, to play it safe, I canceled the shoot tomorrow. The shoot is now scheduled for next Sunday. I addition, aside from resting up today, I took some test shots in the back yard, and I will post these a bit later. I will take some time off this weekend to recoup, and I will likely go on a hike to reflect on the project and relax.
Fri. Training - Too Sick
I worked out so hard on Wednesday, in addition to a 16 hour day of working on The Doorway, I think I shot my immunes system. I had a really bad head ache and soar throat all day yesterday and a minor fever last night. I decided to take it easy today; and I feel a lot better. Unfortunately, I was forced to cancel my shoot for the movie tomorrow, but this will allow for some time away from projects and work, and I will get some exercise by going on a nice hike. I’m planning on Sunol, but I will play it by ear.
Location Planning & More
For several days, I focused on location planning. This included two trips to Antioch for test shots. Before I go into further details, I posted an ad on Craig’s List for a room needed in the production, Craig’s List Ad. We will shoot Antioch locations first, however, the sooner we find our setting for the room based on the parable, the better.
First Day - Monday
So, I traveled to Antioch on Monday to take my first set of pictures. The purpose of this trip was to feel out the time of day, to analyze the angle of light, and to go over general locations. I also wanted to test my primary depth of field lense, the Nikkor 50mm 1:1.4, and I mounted it to my Nikon D40 for trials.
This is a general amtmosphere shot of a street Jordan will walk, taken with the 50mm lens:

The 50mm lens is a very old 35mm film lens with a shallow depth of field, so it has a soft look in comparison to my Nikkor 18-200mm VR Digital lens. Here is an atmospheric more shot of the theatre, note the direct lighting will contribute to the sharpness too:

I am more interested in the look of the first image, and I will likely play with the wide angle shots to match that feel. To test how the light cast, I pointed the camera into a store window:

…and snapped pictures to preview the angle of light on a subject, my self. This is around 1pm, so the sun is higher then what’s considered attractive light, could be called harsh, but I think this may contribute to the rawness of these particular scenes. I would like to switch to a prettier light further into the piece. Here is an image of how the light fills the face:

…and the body:

Second Day - Wednesday
The second day’s objective was to further location planning and narrow down the choices. I was searching for parking lots, and I liked this spot near the entrance of downtown:

The ground of that parking location was very rough, so this is debatable. I was also fascinated with this building around the corner:

In front of this building was a huge dirt lot. A nice park would be beautiful here. Antioch reminds me of an underdeveloped Pasadena CA. There is a lot of character in this stage. Maybe we can find something to do with this area:

Most notably, I found a location I’m considering near the beginning. Possibly after he walks the streets with his cup of coffee. We could say he is heading to a mid-day interview, and he has a bit of time, so he strolls to the dock. Maybe at this time he calls Clare, his girlfriend, and we introduce the conflict. I love the bridge in the background, what it could signify. This is a look I’m looking forward to capturing:

…and here is several atmospheric shots:


For the complete list of location shots from this shoot, visit The Doorway Location Scouting on Flickr.
Tomorrow, I’m scheduled to do Math homework all day, so I may not get back into additional test shots till Friday. I still have to test the Nikkor Digital Lenses on my 35mm lens to video adapter and video in the harsh light conditions around 1 pm. In addition, on Friday I will finalize the schedule for the shoot on Saturday.
The Doorway Parable
Below is the parable as copied from James Willis’s website. Mr. Willis’s website is located on Geocities, and every so often they have bandwidth issues, so now the parable is accessible on my website too. My 2008 Las Positas College honors project, The Doorway movie, is inspired by this parable.
The Doorwayby Robert J. Willis, S.J.
Once there was a little man, one foot high. He lived in a warm, well-lit, tiny room - his home. He loved his life - fluorescent lights, bright yellow walls, no windows to clean or furniture to dust or unknown corners to discover. How wonderfully certain, how bright and clean!
Every day - at dawn, at noon, at sunset - he pursued his life’s work unfailingly, as he had for years. Moving always to the right, three trips a day, he explored his world. Explored? Well, revisited. Walking ever so slowly, he counted up his life encounters: this wall, all yellow except for two pencil marks from another age; this one, with some missing plaster and two large scuff marks (grinning, he recalled how once he had somehow slipped); this third, his pride and joy - so smooth, unblemished, unmarked by time; this last, so like the others but so much more, because it was the last, signaling approaching accomplishment and rest.
One day, on completing his rounds, he rested - but not really. He was troubled, unaccountably. His home had somehow been becoming, for weeks now, too stuffy, too warm, too bright, too known. Feelings of ennui enveloped him. He was so unchallenged. He felt his life draining away, leaving a tired, so very tired body and mind, shrinking to the size of his unused heart. And so he sat and sighed.
Disturbingly, yes, very disturbingly, a feeling and an image kept constantly, even vociferously, intruding. The feeling? - fear, an uncomfortable, screaming sort of thing; the image? - a small door nestled in the corner between walls two and three. Haunting! Oh, he had known it before. Once, years before, he had looked at that door, but since then his eyes were either tightly closed or seeking the ceiling as he passed by that disturbing knob. For so long he had forgotten it, had mechanically avoided it. But today his growing uneasiness had overwhelmed him, had broken through his pattern. He saw the door. And he was afraid.
Why afraid? - because he somehow knew that door could open, could lead somewhere, could offer newness, and discovery, and uncertainty. Why afraid? - because volcanically he was hearing, “My tiny room is too tiny. I can’t breathe!” And he could leave.
Days passed. Days of growing restlessness passed. His rounds became faster, less satisfying. His room kept closing in, the air heavy and sticky and warm. In his imagination, he became a big cat - his rounds, prowls - his uneasiness filled with tension, sinister, foreboding. Then finally - oh, God - explosion! The hungry cat, uncoiling, releasing hurting tension, sprang to the door, wrenched it open, and screamed. For there was dark.
Recoiling, shaking, crouching, eyes frantically closing-opening, closing-opening. But the door stayed open, and he didn’t run. Finally he just stayed and looked.
The tremors quieted with time. He straightened up. Slowly he approached the dark. As he stood at that light-dark threshold, miraculously the dark became less dark, the less dark less frightening. He stood there a long, long time. Then he began a new walk - six feet tall!
Desolate Dock

This is a desolate dock that will likely serve as the opening scene for The Doorway. This image is from a collection of scouting pictures for locations in Antioch, California, scouting picture collection.
Wed. Training - Legs in WC
I was in Antioch doing test shots for the The Doorway, and this time I remembered to bring quarters for the Walnut Creek 24 Hour Fitness; this is one of my favorite gyms, and I hadn’t been there in a while, so on the way home, I stopped by this Gym. I started out with the treadmill run, and I toned it down a bit: 8mph 0.5 miles, 9mph 0.5 miles, and 10 mph for 1 mile. Worth noting, every gyms treadmills seem to be a bit different, so it’s hard to gauge performance. Afterwards I did my standard leg workout and finished with the stair-master to build leg strength. My cardio certainly improved in the last several weeks, and my body is showing more definition. Most importantly, I’m feeling the psychological impact of health and the endorphin high given by consistent workouts.
Between the Times
I’m walking along this shallow
iridescent tile
and upon the frank after shower
I find it coming to this hour
A girl named for her style
eyes hiding from the sun
with another who’s blocking the fire
but acting like she’ll run
Interest is in the ground
while their smiles fight to drown
for the hatred one brings to another
is for the justification given down
Perhaps this is a delusion
nothing more then the institution
hiding for their value
of an instinctual reception to the dial